chumbo is a contemporary art gallery.

We host meaningful ideas and works that interact with reality and fiction.

FEATURED ARTISTS

The Collection

  • PUNCH - A Visual Story

    An intimate and revealing journey into the world of boxing in New York, Berlin, and Lisbon.
    This work is a masterful capture of light and darkness, literally and in metaphor, in a way that is both unique and in line with the great classics.

    Jürgen Bürgin

  • Lourenço Marques

    This haunting work does not mourn a lost empire and does not absolve it. With unusual restraint, it documents a distributed archive of Portugal's traumatic withdrawal from Africa, an intimate politics that the larger society has been slow to assemble, and slower to interpret.

    Gustavo Lopes Pereira

  • Dramas Artificiais

    This painting has the scale and visual force expected of a statement work. Coutiño is well-versed in the language of graffiti and in late modern gestural abstraction, but his work remains most successful when read as a personal visual system.

    Fillipe Coutiño

  • Petros

    Field Notebook containing scientific illustrations and research annotations.
    This work explores the concept of geological faults, with a closer approach to some of the rocks typically found in the earth’s crust.

    Lúcia Antunes 
Annual Theme 2026 - 2027

ERSATZ is a year-long art project that explores the creative potential of the idea of replacement in contemporary societies. We challenge and interrogate the concept of authenticity in an age of infinite digital reproduction, biological simulation, and networked identity formation.

  • Replacement

    How do demographic trends, synthetic environments, staged rituals, or retro-futurist nostalgia function as emotional or perceptual upgrades to what they displace?

  • Identity

    How does the rise of modular, performative, and algorithmically shaped identities complicate older narratives of authenticity and collective belonging?

  • Simulation

    What happens when a simulation becomes more stable, believable, or aesthetically satisfying than the system it imitates?

  • Technology

    In what ways do interface design, automation, and ambient AI create experiences that feel natural—and how does this engineered familiarity mask systemic forms of control?

  • Biology

    As biology becomes programmable—from gene editing to biofabrication—what new myths of are being constructed to legitimize the artificial?

  • Geopolitics

    What forms of sovereignty and post-nationhood are emerging through cloud infrastructure, algorithmic governance, and outsourced border control—and how are they reshaping the planetary map of power?